Monday, October 18, 2010

Morning Grooves Special Digital Edition by Alessandro Bottura




Presentation clip for “Morning Grooves – Special Digital Edition”, soon available on all the major web stores.

The album consists of the remixes of all the previous album tracks and two brand new tunes, “Gotta Pay” and “Hope After All”.

Credits:
All tracks written, arranged and played by Alessandro Bottura
Logo, Artwork and Photoshoot by Federica Castellani Tarabini
Management by Mark A. Forrest
Produced by Bucephalus Productions and Maftrust Inter Vivos
© 2010 – All right reserved

1 comment:

  1. The triptych “Mind, Passion and Instinct”- the title of one of the songs that make up this disc - seems to be the compass that guides the work of Alessandro Bottura. The little genius of progressive fusion and funky colors, the young musician from Modena is more than a bassist: composer and instrumentalist, has created this intriguing debut album “Morning Grooves” in complete solitude.

    After having the experience in groups such as NoLogo and Landslide Ladies, Bottura studied in the USA with Jeff Berlin and returned back to Italy where he received more endorsements. The meeting with the manager Mark A. Forrest back in the States and through Las Vegas they have launched their project to the world. The hard fact is that they are enjoying wide international radio shows and good music reviews.

    The secret? The balance between the different components: the technical element is subordinate to the objectives clearly defined, the emotional balance of virtuosity, funk soul and warms the typical jazz-fusion solutions, often diverted into reggae and rock shores. "Out of sight," the piece quoted at the beginning, the overwhelming "MayDay Mayhem" and "Tropical Night" mixing different influences (from jazz-rock as "flesh" of the '70s nu-jazz to contemporary, from Weather Report 's Jaco goes to Medeski Martin & Wood), the calypso of "Quetzalcoatl" is buzzing as the eclectic funk "Stern Memories" from the vague references to Hendrix.

    A fine debut album from a valuable Italian musician, who awaits a second trial, perhaps with a group that can enhance even more its project.

    Donato Zoppo
    Benevento, Italy

    Alessandro Bottura is back with a brand new release after enjoying great success with his debut album, Morning Grooves, which was released in March 2009 to rave reviews by both critics and fans. Bottura’s latest track, “Spaccacuore” is a medium tempo groove that speaks of unrequited love and the pain that accompanies it. The constant “wah wah” on the guitar pedaling into a syncopated piano figure is a good backdrop for Bottura’s vocals which have a great smoky (and I might also add “sexy”) sound. In fact, this particular vocal performance reminds me of Phil Collins. Bottura, a multi-talented multi-instrumentalist (piano, guitar, drums and bass) does a great job with this song, originally recorded by Samuele Bersani in 2004, and then again in 2009 by Laura Pausani, who took it to new heights. The four piece rhythm section features a nice electric bass solo on the breakdown between verses. Morning Grooves both introduced Bottura and solidified him as a bonifide rock/pop/jazz musician with talent to stand the test of time – not an easy feat in the music industry. Bottura has been compared to Jaco Pastorius, an American jazz musician and composer who was widely known for his skills as an electric bass guitarist, and his performance on “Spaccacuore” only reinforces that parallel. The tune is solid, enjoyable though melancholy, and while it may be classified as adult contemporary rock, it is infused with a hint of jazz flavor for spice. “Spaccacuore” builds to a layered background with vocal harmonies and power fuzz guitar chords before fading to a nice finish. - Michele Wilson-Morris, MusicDish

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